Wednesday, 16 May 2012

What do you like taking photos of?

A simple blog entry today, and we're asking:

What do you like taking photos of?

You don't have to let us know, it's more to actually get you thinking about what you really like to take photos of, rather than just snapping away at anything and everything.

What gets your emotion running?

A particular subject?

If you wish you can let us know via comments below, or head over to our site and drop us a line via the contact form, or sign up for the newsletter on the side of this blog or the main site, and you can also head over to Twitter, Facebook etc (links on the blog and the website) - and get involved that way.

For me I particular love photographing:

  • Derelict older buildings - Edwardian / Victorian era, old farm buildings etc
  • Landmarks, at unusual angles

and I like these in B&W, particular hard hitting high contrast B&W, or aged effect B&W

Cheers

Ian

Sunday, 13 May 2012

It's your job to find inspiration

On Friday night I sat next to someone in the cinema who's overly loud conversation was about photography.

I picked up on parts of it, but was shocked when that person classed a suggested trip to Delamere forest to take photos as being not very good, no good photos there!!!

I was shocked, Delamere is a haven of shots, and if you don't want to go with the normal, try new angles, crouch, duck, slant shots.

A subject is what you make of it, a setting is what you make of it, a photo is what you make of it - it's your job to find inspiration in whatever is presented to you/

My personal belief is that in a most boring of rooms, sat with a camera you can produce good shots.


This shot was taken on a day that shots seemed to be passing me by, and I forced a shot from something that people would walk past and hardly ever imagine as a photographic subject.

Anyway, I'll leave you to your Sunday. Have a great rest of the weekend.

Ian

Thursday, 10 May 2012

A Quick and Simple Guide to your SLR: Part 2

Welcome to the second part of the "Quick and Simple Guide to your SLR" series.

Last time we covered the basics, what an SLR is, roughly how it works, and a bit about the automatic and manual modes. If you missed that part, please click here to check it out.

I am not intending to cover every aspect of photography, nor cover every aspect of each item I cover, this is purely a "Quick and Simple Guide", covering some principles, basics and such like, and if this whets your appetite, there are many good books out there - ask using comments below or via our contact page - and I can advise of some particularly good titles.

A Good Exposure

We have all seen photographs which are too light or too dark to make out what's in the shot, and generally photos need to be between those two extremes - as what we call a "good exposure" - just the right amount of light has been received by the film / sensor to make the shot good.


Two Factors

There are really three factors which affect the exposure of a photo, but we are going to focus on two for now.

We are all familiar with the click a camera makes when it takes a photo - and some dodgy electronic noises of modern phone camera etc - but in most SLRs the click is actually the shutter.

Now we can adjust the time that shutter is open for, and also the size of the opening behind the shutter, both of which control the amount of light passing through to the film / sensor.


Tapping Resources

To better show this, using an everyday example, below are two taps (fawcets) - one with a narrow pipe and a narrow opening, the other with a wide pipe and a wide opening.

Wide Tap Opening (Aperture)
Narrow Tap Opening (Aperture)




















The grey container below (The Film / sensor) is where we want to catch the water (Light) to make the picture.

Assuming we want 2 litres of water - in photographic terms is the amount of light we need for our desired exposure for this scenario.

With the smaller tap we need to leave it running for longer than we do with the wider tap, to achieve the desired 2 litres in each container.

The time taken is our shutter speed (time the shutter is open for), and the size of the tap opening is the size of our aperture opening.

Based on this we can see that in terms of exposure alone, that both

Bigger Opening (Aperture) + Shorter Shutter Speed


and


Smaller Opening (Aperture) + Longer Shutter Speed

will produce the same exposure (give or take for exact settings etc)

In summary, using only the two factors of Aperture Size and Shutter Speed - we can see how the two work together, and those overly light photos either had the shutter open for too long, or too big an aperture set, and those overly dark photos left the shutter open for too little time, or used a small aperture.

Apertures and Shutters basically work as above, but the two seemingly simple controls offer so much more, but this will be covered in the next part.


ISO

The third factor affecting exposure is the ISO - which when using a film camera relate directly to the type of the film you have in the camera, but in the digital cameras - means simply altering a setting.

I will cover ISO another time, but essentially it relates to how well the film / sensor picks up the available light, and the resultant photo quality.

Basically:

Low ISO: Where light is good, clean photo produced.
High ISO: Where light is poor, noisy / grainy / dotty photo produced.



That's the end of part 2, so if you like what you have read, get that SLR out of Auto mode and have a play around with the Shutter and the Aperture - have a quick look in the manual for the camera if you are unsure how.

If you know of anyone who could be interested, please send them the link, or use the sharing icons below.

Additionally, if you have anything to add please use the comment form below, or pop over to the contact page on the main website and contact us if you have any queries.





Monday, 7 May 2012

A Quick and Simple Guide to your SLR: Part 1

First things first, and we'll look into what an SLR camera is.

SLR stands for Single Lens Reflex, and the basis of the entire concept is in the first two parts of the definition.

A single lens is used for both the viewfinder and the actual photo itself at the film / digital sensor.

Traditionally an angled mirror directs the light reflected from the subject you are photographing to the viewfinder. When the shutter release is activated, the mirror drops away, leaving the light reflected from what you are photographing to hit the film / digital sensor.

The major benefit of this system is that the viewfinder and the film / sensor see exactly the same photo, and although many compact "point-and-shoot" cameras allow this on the LCD screen, the traditional viewfinder allows for a more precise version as when you press your eye to the viewfinder, you eliminate the glare and ambient light you see when viewing on the LCD.

Ever evolving technology has meant that the inner workings of the SLR has begun to deviate from the above, but the core principles still apply.

People often buy an SLR under the impression that they are simply able to take better photos than the compact cameras they had before, and often in these situations they buy the new camera leave it one of the Automatic modes, and never really benefit from the technology sat in their hand.

Often, the resultant photos will be slightly disappointing, and for that reason only.

Sitting next to the Automatic options on the "consumer" and "prosumer" grad cameras are the Manual modes, shown below on the Nikon D90 - Program Auto, Shutter Priority, Aperture Priority and Manual.

Mode dial on the Nikon D90

These Manual modes are sometimes used only for a few shots when playing with the camera when it first comes out of the box, but they really aren't difficult to use, and when you have a longer play with these modes, you can achieve some fantastic photographs by unleashing the SLR's real strengths.

Now we've been through what an SLR is, and a rough outline of the modes, we'll draw this first of the "A quick and simple Guide to your SLR" series to a close.

Next time: Learn about Apertures, Shutters and how they effect your exposure.

In the meantime, please sign up to the newsletter, or contact us by visiting the contact page on our website.

Sunday, 6 May 2012

Apologies for a slight delay

I had hoped to have the first in the series of the  "A quick and simple Guide to your SLR" online by now, but unfortunately a small kitchen related incident has resulted in me having a big bandage on my right middle finger - so my typing is limited to say the least.

So, all I can say is sorry, and normal service should be resumed shortly, and the first in the series should be on by the end of Monday.

Enjoy the weekend everyone.

Ian

Wednesday, 2 May 2012

A quick and simple Guide to your SLR

In the coming weeks I will be writing a series of short, straight to the point, blog posts about how to get the most from your SLR.

Many people buy an SLR and never take it out of the Automatic (Portrait, Sport, Night Portrait, Landscape, etc) Modes, and shy away from the letters S, A, P and M (those the are ones on Nikon models anyway).

They are really not scary, or difficult to master, and you can have some real fun playing about with these modes around your home, garden and neighbourhood.

The first in the series should be online within a week, and I will keep them regular from then.

It won't be a really in-depth series, but will give you some ideas, and I won't be going into massive technical detail (all the time).

If you have any questions, please post them in the comments, and I will address them one-by-one.

Cheers

Ian

Sunday, 29 April 2012

Bald Eagle

Here are a few shots of the Bald Eagle I mentioned in an earlier post.

After completely re-doing my workflow, this is one of the first shoots to pass through the new workflow, and it's all good.

If you want to be kepy up-to-date with new shots as I upload them, or other news from us - please subscribe to this blog by RSS, or head over to our website and subscribe to the newsletter.

So sit back, and enjoy the spleandour of the Bald Eagle.

Thanks - and here's to this torrential rain going away soon!

Ian

All photos are Copyright Ian Price, and may not be used in anyway without prior consent.








All photos are Copyright Ian Price, and may not be used in anyway without prior consent.